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The Skywayman is a 1920 American silent action drama film directed by James P. Hogan and produced and distributed by Fox Film Corporation. The film starred noted aerial stunt pilot and . After having appeared in The Great Air Robbery (1919), a film that showcased his aerial talents, Locklear, considered the foremost "aviation stunt man in the world", was reluctant to return to the air show circuit.Farmer 1984, pp. 10, 16. During the production, Locklear and his co-pilot Milton "Skeets" Elliot died after crashing during a night scene. The Skywayman was subsequently released shortly after, capitalizing on their deaths.Pendo 1985, pp. 5–6.

No footage of The Skywayman is known to exist, and the film is now considered .


Plot
Captain Norman Craig (Ormer Locklear) returns from the Lafayette Escadrille as a shell-shocked veteran, suffering from amnesia. Seeing him wandering around , his girlfriend Virginia Ames (), with the help of Dr. Wayne Leveridge (Sam De Grasse), devises a plan to help him restore his memory. Her family hires Craig to pursue a pair of supposed Russian thieves after the Ames jewels. The doctor, however, has plans to steal the jewels and wants Virginia for himself. An aerial chase ending with a tailspin and crash brings Craig back to his senses. He is able to thwart the doctor's schemes and finally remembers his girlfriend.


Cast
  • as Captain Norman Craig (credited as Lt. Ormer Locklear)
  • as Virginia Ames
  • Sam De Grasse as Dr. Wayne Leveridge
  • Ted McCann as William Elmer
  • as "Nobby" Brooks


Production
After The Great Air Robbery, which was a commercial success for Universal Pictures, the studio head, , did not take up the option for a second film starring Locklear, prompting Locklear's $25,000 lawsuit against Universal. Unwilling to go back to the air show circuit, Locklear wanted to continue his Hollywood career, and in April 1920, he was signed to star in The Skywayman.Farmer 1984, p. 20.

Principal photography on The Skywayman began on June 11, 1920, with DeMille Field 2 in as the main base of operations, although scenes were also shot in and around San Francisco.Pendo 1985, p. 5. Despite Locklear's public claim that new stunts "more daring ever filmed" would be involved, the production would rely heavily on models and less on actual stunt flying.Farmer 1984, pp. 20–21. Two stunts, a church steeple being toppled by Locklear's aircraft and an aircraft-to-train transfer, were both problematic and nearly ended in disaster.

The last stunt scheduled for filming was a nighttime spin, initially to take place in daylight with cameras fitted with red filters to simulate darkness. Locklear, under a lot of pressure, not only with his family life in upheaval but also learning that the studio head, William Fox, was not going to extend his contract beyond one film, demanded that he be allowed to fly at night.Farmer 1984, p. 23. The studio relented, and on August 2, 1920, publicity surrounding the stunt led to a large crowd gathering to witness the filming of the unusual stunt.Pendo 1985, p. 6. Large studio arc lights were set up on DeMille Field 2 to illuminate the Curtiss "Jenny", to be doused as the aircraft entered its final spin, to be turned off when the plane dropped to a certain altitude to inform Locklear about his position. The arc lights were never turned off though,"Hollywood", Ep. 5 - "Hazards of the Game" and to shocked spectators and film crew, Locklear and his long-time flying partner Milton "Skeets" Elliot crashed heavily into the sludge pool of an oil well, never pulling out of the spin. Both occupants died instantly at the scene.Wynne 1987, p. 24.

With the entire film already "in the can" except for the night scene, Fox made the decision to capitalize on the crash and deaths of Locklear and Elliot by rushing The Skywayman into production and release.Paris 1995, p. 56.


Reception
With the lurid notices of The Skywayman proclaiming: "Every Inch Of Film Showing Locklear's Spectacular (And Fatal) Last Flight. His Death-Defying Feats And A Close Up Of His Spectacular Crash To Earth," the film was premiered in Los Angeles. The advertising campaign that accompanied the film was very similar to that of his earlier feature film, focusing on Locklear's earlier exploits, and combining model displays, and exhibition flights across North America to coincide with the film's release.Pendo 1984, pp. 6–7. Fox Film Corporation claimed that 10% of the studio profits would go to the families of Locklear and Elliot.Farmer 1984, p. 24.

The review in the Los Angeles Times noted: "The greatest monument that could be built to any man – the privilege of living on after all else has gone – is what 'The Skywayman' showing will do. What is gone in the flesh will live on forevermore on the screen."

In Hollywood (1980), a television series on the silent era, actresses and recalled Locklear and the making of The Skywayman. A tearful Dana, who was in a relationship with Locklear at the time, described his fatal aerial accident in the "Hazards of the Game" episode.


Notes

Citations

Bibliography
  • Farmer, James H. Celluloid Wings: The Impact of Movies on Aviation. Blue Ridge Summit, Pennsylvania: Tab Books Inc., 1984. .
  • Paris, Michael. From the Wright Brothers to Top Gun: Aviation, Nationalism, and Popular Cinema. Manchester, UK: Manchester University Press, 1995. .
  • Pendo, Stephen. Aviation in the Cinema. Lanham, Maryland: Scarecrow Press, 1985. .
  • Wynne, H. Hugh. The Motion Picture Stunt Pilots and Hollywood's Classic Aviation Movies. Missoula, Montana: Pictorial Histories Publishing Co., 1987. .


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